Home  ›  James Bond Never Say Never Again and Golden Eye Scenes Filmed at What Casino

James Bond Never Say Never Again and Golden Eye Scenes Filmed at What Casino

Written By Tuesday, 10 May 2022 Add Comment Edit

Header_Tag_Spacer.png

Cinematic Tag.png

Never Say Never Again is the 2nd James Bond theatrical picture not produced by EON Productions and the second pic adaptation of the story Thunderball. Released in 1983, it stars Sean Connery in his seventh and final film performance as British Underground Service agent James Bond. It was released theatrically by Warner Bros.

The moving-picture show is not considered part of the canon of the Bond moving picture franchise from EON Productions and United Artists and is not produced by Albert R. Broccoli, despite it currently being handled by the official film series benefactor, MGM. MGM acquired the distribution rights in 1997 subsequently their acquisition of Orion Pictures. The movie also marks the culmination of a long legal boxing between United Artists and Kevin McClory. Its release opposite the franchise Bond motion-picture show Octopussy (starring Roger Moore) chop-chop led the media to dub the situation the "Boxing of the Bonds".

In November 2013, the McClory Estate and EON Productions reached an agreement transferring all rights to Fleming'due south Thunderball, the organization of SPECTRE, and the character of Ernst Stavro Blofeld to EON.

Contents

  • 1 Plot summary
  • ii Changes to the Bail universe
  • 3 Production
    • three.ane Cast and coiffure
    • 3.2 Filming
    • 3.3 Music
  • four Cast and Characters
  • 5 Crew
  • half dozen Comic Adaptation
  • seven Trivia
  • 8 See also
  • nine References
  • 10 External links

Plot summary

Beingness the 2d adaptation of the novel Thunderball, Never Say Never Again follows a similar plotline to the earlier motion picture, but with some differences.

The moving-picture show opens with a middle-aged, yet still athletic James Bond making his style through an armed camp in order to rescue a girl who has been kidnapped. Later on killing the kidnappers, Bond lets his guard down, forgetting that the girl might accept been subject area to Stockholm syndrome (in which a kidnapped person comes to identify with his/her kidnappers) and is stabbed to death by her. Or so it seems.

In fact, the attack on the army camp is nothing more than than a field training exercise using blank ammunition and simulated knives, and i Bond fails because he ends up "dead". A new Thou is at present in office, ane who sees little apply for the 00-section. In fact, Bond has spent most of his recent time instruction, rather than doing, a fact he points out with some resentment.

Feeling that Bond is slipping, M orders him to enroll in a health dispensary in order to "eliminate all those free radicals" and get back into shape. While in that location, Bond discovers a mysterious nurse, Fatima Blush, and her patient, who is wrapped in bandages. His suspicions are aroused fifty-fifty farther when a thug (Lippe) tries to impale him.

Blush and her accuse, an American Air Forcefulness airplane pilot named Jack Petachi, are in fact operatives of SPECTRE, a criminal organization run by Ernst Stavro Blofeld. Petachi has undergone an operation to alter ane of his retinas to friction match the retinal pattern of the American President. Using his position every bit a pilot, and the president's heart pattern to circumvent security, Petachi infiltrates an American military base in England and orders the dummy warheads in two cruise missiles replaced with two live nuclear warheads, which SPECTRE captures and uses to extort billions of dollars from the governments of the world.

M reluctantly reactivates the 00 section, and Bond is assigned the task of tracking down the missing weapons, beginning with a rendezvous with Domino Petachi, the pilot's sister, who is kept a virtual prisoner by her lover, Maximillian Largo. Bond pursues Largo and his yacht to the Bahama islands, where he engages Domino, Fatima Blush, and Largo in a game of wits and resource as he attempts to derail SPECTRE's scheme.

Changes to the Bail universe

The film makes a few changes to the James Bond universe. MI6 is shown to exist underfunded and understaffed, particularly with regards to Q-Branch, and the character Q is referred to by the name "Algernon", and is presumably a unlike individual than the Q in the official Bail films (whose name is Major Boothroyd). The film also appears to take identify in an "alternate universe" in which none of the events of You Only Alive Twice, On Her Majesty's Secret Service, Diamonds Are Forever and the opening sequence of For Your Eyes Simply have occurred, since Blofeld is alive and apparently previously unknown to Bond and MI6. Despite sharing many basic similarities with Thunderball, the course of events throughout the pic are different enough for it to be more than a direct remake, and the activity clearly takes place at a much later date (contemporary with the film'south product).

The film is notable for depicting Felix Leiter, Bail's CIA colleague, as an African-American, something which would not occur in the EON serial until Casino Royale in 2006. The picture show also makes a major departure from official continuity by ending with Bond indicating his intention to retire from MI6 - while Bond had considered retirement in On Her Majesty'south Hugger-mugger Service, he is shown to be unsure of the conclusion and later chooses to stay with the service. In the scene where Bail states his intention to quit, Connery breaks the fourth wall by winking at the camera; while this is incorrectly considered by many as being unique to this picture, George Lazenby was in fact the starting time Bond to break the quaternary wall nearly 15 years earlier when he told the audience, "This never happened to the other young man" (referring to Connery, the man he had replaced as Bond).

Production

Never Say Never Once more had its origins in the early 1960s, following the controversy over the 1961 Thunderball novel.[one] Fleming had worked with independent producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bail pic, to be called Longitude 78 West,[ii] which was subsequently abased because of the costs involved.[3] Fleming, "ever reluctant to allow a good idea prevarication idle",[3] turned this into the novel Thunderball, for which he did not credit either McClory or Whittingham;[4] McClory then took Fleming to the Loftier Court in London for breach of copyright[4] and the thing was settled in 1963.[ii] After Eon Productions started producing the Bond films, information technology after fabricated a deal with McClory, who would produce Thunderball, and and then not brand any farther version of the novel for a period of 10 years post-obit the release of the Eon-produced version in 1965.[five]

Warhead (1978) concept artwork - interior of the Statue of Liberty depicting docking chamber with a submarine, and a robot 'Hammerhead' shark hanging.

In the mid-1970s McClory again started working on a project to bring a Thunderball accommodation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[half dozen] The script ran into difficulties later on accusations from Eon Productions that the project had gone beyond copyright restrictions, which confined McClory to a film based on the Thunderball novel only, and one time again the project was deferred.[5]

Towards the end of the 1970s developments were reported on the project nether the name James Bail of the Secret Service,[five] simply when producer Jack Schwartzman became involved and cleared a number of the legal issues that withal surrounded the project[1] he brought on board scriptwriter Lorenzo Semple, Jr.[vii] to piece of work on the screenplay. Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to piece of work on the script; however Mankiewicz declined as he felt he was nether a moral obligation to Cubby Broccoli.[8] Connery then hired British telly writers Dick Cloudless and Ian La Frenais[9] to undertake re-writes, although they went uncredited for their efforts because of a restriction past the Writers Club of America.[half-dozen]

The film underwent one final change in title: later on Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bail again.[6] Connery's married woman, Micheline, suggested the title Never Say Never Once more, referring to her husband's vow[10] and the producers acknowledged her contribution past list on the end credits "Title "Never Say Never Again" by: Micheline Connery". A terminal endeavour by Fleming's trustees to cake the film was fabricated in the High Courtroom in London in the spring of 1983, but this was thrown out by the court and Never Say Never Again was permitted to proceed.[5]

Cast and crew

When producer Kevin McClory had first planned the motion picture in 1964 he held initial talks with Richard Burton for the part of Bail,[xi] although the project came to nothing because of the legal bug involved. When the Warhead project was launched in the late 1970s, a number of actors were mentioned in the trade printing, including Orson Welles for the part of Blofeld, Trevor Howard to play M and Richard Attenborough every bit managing director.[half-dozen]

In 1978 the working title James Bail of the Hush-hush Service was being used and Connery was in the frame in one case once more, potentially going caput-to-caput with the next Eon Bail flick, Moonraker.[12] By 1980, with legal issues again causing the project to founder,[vi] Connery idea himself unlikely to play the role, equally he stated in an interview in the Sunday Express: "when I first worked on the script with Len I had no thought of actually existence in the film".[13] When producer Jack Schwartzman became involved, he asked Connery to play Bond; Connery agreed, request (and getting) a fee of $3 one thousand thousand, ($vii million in 2022 dollars) a percentage of the profits, besides as casting and script approval.[6] Subsequent to Connery reprising the function, the script has several references to Bond's advancing years – playing on Connery being 52 at the fourth dimension of filming[6] – and bookish Jeremy Black has pointed out that in that location are other aspects of historic period and disillusionment in the film, such equally the Shrubland's porter referring to Bond'southward car ("They don't brand them like that anymore."), the new M having no utilize for the 00 department and Q with his reduced budgets.[xiv]

For the main villain in the motion-picture show, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the lead of the 1981 Academy Accolade-winning Hungarian film Mephisto.[seven] Through the same route came Max von Sydow every bit Ernst Stavro Blofeld,[xv] although he nonetheless retained his Eon-originated white cat in the movie.[sixteen] For the femme fatale, manager Irvin Kershner selected old model and Playboy encompass girl Barbara Carrera to play Fatima Blush – the name coming from one of the early on scripts of Thunderball.[vi] Carrera'due south performance as Fatima Blush earned her a Golden Globe Award nomination for Best Supporting Actress,[17] which she lost to Cher for her function in Silkwood.[xviii] Micheline Connery, Sean's married woman, had met up-and-coming actress Kim Basinger at a hotel in London and suggested her to Connery, which he agreed upon.[vi] For the role of Felix Leiter, Connery spoke with Bernie Casey, saying that as the Leiter office was never remembered by audiences, using a blackness Leiter might make him more memorable.[7] Others bandage included comedian Rowan Atkinson, who would later parody Bail in his role of Johnny English.[19]

Former Eon Productions' editor and director of On Her Majesty's Secret Service, Peter R. Hunt, was approached to straight the film but declined due to his previous work with Eon.[20] Irvin Kershner, who had accomplished success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were too appointed, including offset assistant director David Tomblin, director of photography Douglas Slocombe and production designers Philip Harrison and Stephen Grimes.[7] [15]

Filming

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted as Largo'southward ship, the Flying Saucer

Filming for Never Say Never Once more began on 27 September 1982 on the French Riviera for two months[6] earlier moving to Nassau, the Commonwealth of the bahamas in mid-November[7] where filming took identify at Clifton Pier, which was besides one of the locations used in Thunderball.[6] The Spanish metropolis of Almería was likewise used as a location.[21] Largo's Palmyran fortress was actually celebrated Fort Carré in Antibes.[22] For Largo's ship, the Flying Saucer, the yacht Nabila, owned by Saudi billionaire, Adnan Khashoggi, was used. The boat, now endemic by Prince Al-Waleed bin Talal, has afterwards been renamed the Kingdom 5KR.[23] Principal photography finished at Elstree Studios where interior shots were filmed.[6] Elstree as well housed the Tears of Allah underwater cavern, which took iii months to construct.[6] Most of the filming was completed in the leap of 1983, although there was some boosted shooting during the summer of 1983.[vii]

Production on the flick was troubled,[15] with Connery taking on many of the production duties with assistant director David Tomblin.[6] Director Irvin Kershner was critical of producer Jack Schwartzman, saying that whilst he was a practiced businessman, "he didn't accept the feel of a film producer".[vi] After the production ran out of money, Schwartzman had to fund further production out of his own pocket and afterward admitted he had underestimated the corporeality the film would toll to make.[xv]

Steven Seagal, who was the fight choreographer for this film, broke Connery's wrist while training. On an episode of The This night Show with Jay Leno, Connery revealed he did not know his wrist was cleaved until over a decade later.[24]

Many of the elements of the Eon-produced Bond films were not present in Never Say Never Over again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to employ, although no effort was made to supply another melody.[7] A pre-credits sequence was filmed but not used;[15] instead the film opens with the credits run over the top of the opening sequence of Bond on a training mission.[half-dozen]

Music

The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work every bit a jazz pianist.[25] The score has been criticised every bit "anachronistic and misjudged",[6] "bizarrely intermittent"[xv] and "the nigh disappointing feature of the film".[vii] Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman—who had also worked with Legrand in the Academy Award winning vocal, "The Windmills of Your Mind"[26]—and was performed by Lani Hall[7] subsequently Bonnie Tyler, who disliked the song, had reluctantly declined.[27]

Phyllis Hyman likewise recorded a potential theme song, written past Stephen Forsyth and Jim Ryan, simply the song—an unsolicited submission—was passed over given Legrand'due south contractual obligations with the music.[28]

Bandage and Characters

Crew

MGM DVD cover.

  • Directed by: Irvin Kershner
  • Screenplay by: Lorenzo Semple Jr.
  • Produced by: Jack Schwartzman, Kevin McClory (executive), Michael Dryhurst (associate)
  • Cinematography past Douglas Slocombe
  • Music equanimous by: Michel Legrand

Comic Adaptation

Argentinean publisher Editora Columba, who published several original Spanish-language James Bond pic adaptations in various D'artagnan comic magazines during the '60s and '70s, adapted Never Say Never Again in 1984.

Trivia

  • This is the merely Bond motion picture to exist directed past an American. The picture show'southward manager, Irvin Kershner, had previously directed Sean Connery in A Fine Madness.
  • The moving-picture show title comes from Sean Connery'due south statement when asked if he would e'er play Bond again afterwards Diamonds Are Forever, to which he replied "Never Again".
  • The Flight Saucer, Largo'south ship, is a translation of "the Disco Volante", the name of Largo's ship in Thunderball. In this film, the Disco Volante is a formidable vessel conspicuously based on a military cruiser hull, with a helipad and calibration which dramatically dwarf the vessel present in the official motion-picture show continuity. The Disco is notwithstanding the base of underwater operations by Largo. In existent life, the ship used in long shots was known every bit the "Nabila" and was built for Saudi billionaire, Adnan Kashoggi.
  • The casino where Bond and Largo get head to head in a videogame was chosen Casino Royale.
    • This scene too prevented writer John Gardner from having a somewhat like scene involving Bail playing a computer game over a LAN in Gardner'southward novel Role of Honour. Bond was supposed to be playing a simulation of "The Battle of Waterloo", this was later changed to a different type of game involving "The Battle of Bunker Hill". Interestingly, the Boxing of Waterloo would also play a part in the later official Bond film, The Living Daylights.
  • Originally, both this motion picture and Octopussy were to exist released to theatres simultaneously, which led to a brief flurry of media activity regarding the "Battle of the Bonds". Ultimately, it was decided to separate the two release dates.
  • McClory originally planned for the motion picture to open with some version of the famous "gunbarrel" opening as seen in the official Bond series, but ultimately the film opens with a screenful of "007" symbols instead. When the soundtrack for the film was released on CD, it included a piece of music composed for the proposed opening.
  • Klaus Maria Brandauer, who played Largo, was originally cast every bit Marko Ramius in The Chase for Red October; the role eventually went to Connery.
  • Rowan Atkinson made his film debut in this picture show. Atkinson, who afterwards became famous for the Mr. Edible bean comedy serial, played a British agent in this movie, the bungling Nigel Pocket-size-Fawcett. Later he would play a James Bond parody in Johnny English.

See also

  • The controversy over Thunderball.

References

  1. ↑ i.0 one.1 Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bond. London: Boxtree Ltd, p.213. ISBN 978-0-7522-2477-0.
  2. ↑ ii.0 ii.1 Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bond". Cardozo Arts & Entertainment Law Periodical 18: 387–436. Benjamin North. Cardozo School of Law. Retrieved on 3 September 2011. Cite error: Invalid <ref> tag; name "Poliakoff (2000)" defined multiple times with dissimilar content
  3. ↑ 3.0 3.one Chancellor, Henry (2005). James Bond: The Homo and His World. London: John Murray, pp.226. ISBN 978-0-7195-6815-2.
  4. ↑ 4.0 4.1 Macintyre, Ben (2008). For Yours Eyes Simply. London: Bloomsbury Publishing, p.198-99. ISBN 978-0-7475-9527-4.
  5. ↑ 5.0 5.1 5.two 5.3 Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris, p.184. ISBN 978-i-84511-515-nine.
  6. ↑ 6.00 half dozen.01 six.02 6.03 6.04 vi.05 6.06 6.07 6.08 6.09 half-dozen.10 half-dozen.11 6.12 six.thirteen 6.14 vi.15 6.16 Barnes, Alan; Hearn, Marcus (2001). Kiss Kiss Bang! Blindside!: the Unofficial James Bond Film Companion. Batsford Books, pp.152-56. ISBN 978-0-7134-8182-2.
  7. ↑ seven.0 7.1 7.ii 7.3 7.four 7.5 7.6 7.vii seven.8 Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd, p.240-43. ISBN 1-85283-234-7.
  8. ↑ Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: University Printing of Kentucky, p.150. ISBN 978-0-8131-3605-nine.
  9. ↑ La Frenais, Ian (1936–) and Clement, Dick (1937–). Screenonline. British Motion picture Constitute. Retrieved on 3 September 2011.
  10. ↑ Dick, Sandra. "Eighty big facts y'all must know about Big Tam", 25 August 2010, p. twenty.
  11. ↑ "A Rival 007 – Information technology Looks Like Burton", 21 February 1964, p. 13.
  12. ↑ Davis, Victor. "Bail versus Bail", 29 July 1978, p. 4.
  13. ↑ Mann, Roderick. "Why Sean won't now be back every bit 007 ...", 23 March 1980, p. 23.
  14. ↑ Black, Jeremy (2005). The Politics of James Bail: from Fleming's Novel to the Big Screen. University of Nebraska Printing, p.58. ISBN 978-0-8032-6240-9.
  15. ↑ 15.0 fifteen.i xv.ii xv.three xv.4 15.five Smith, Jim (2002). Bond Films. London: Virgin Books, pp.193-99. ISBN 978-0-7535-0709-4.
  16. ↑ Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris, p.135. ISBN 978-1-84511-515-9.
  17. ↑ Barbara Carrera. Official Golden Globe Award Website. Hollywood Foreign Press Clan. Retrieved on 2 September 2011.
  18. ↑ All-time Functioning by an Actress in a Supporting Office in a Motion Film. Official Golden Globe Award Website. Hollywood Foreign Press Association. Retrieved on 3 September 2011.
  19. ↑ Johnny English. Penguin Readers Factsheets (2003). Retrieved on five September 2011.
  20. ↑ "Director Peter Hunt – "On Her Majesty's Secret Service"", Retrovision. Retrieved on 5 September 2011.
  21. ↑ Armstrong, Vic (seven May 2011). I'k the real Indiana (when I'm not busy existence James Bond or Superman). Daily Mail.
  22. ↑ Reeves, Tony (2001). The Worldwide Guide to Movie Locations. Chicago: A Cappella, p.134. ISBN 978-1-55652-432-5.
  23. ↑ Salmans, Sandra. "Lavish Lifestyle of a Wheeler-Dealer", 22 February 1985. Retrieved on vi September 2011.
  24. ↑ Kurchak, Sarah (12 Oct 2015). Did Steven Seagal Intermission Sean Connery'southward Wrist with Aikido?. Vice.com. Retrieved on 24 November 2015.
  25. ↑ Bettencourt, Scott (1998). "Bail Back in Activeness Again". Flick score monthly .
  26. ↑ Fault on call to Template:cite spider web: Parameters url and title must exist specified. Academy of Motion Pic Arts and Sciences.
  27. ↑ The Bat Segundo Evidence: Bonnie Tyler (12 September 2008). Tyler also discusses this in the documentary James Bond'south Greatest Hits.
  28. ↑ Burlingame, Jon (2012). The Music of James Bail. Oxford: Oxford University Printing, p.112. ISBN 978-0-19-986330-3.

External links

  • Never Say Never Again (1983) at IMDb
  • MGM's folio on the film

martinemaregme68.blogspot.com

Source: https://jamesbond.fandom.com/wiki/Never_Say_Never_Again_(film)

0 Response to "James Bond Never Say Never Again and Golden Eye Scenes Filmed at What Casino"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel